It
was a long trip from Manila (or Quezon City to some) to South Forbes Park
especially on a “Baclaran day” (Wednesday) but several friends in the
NGO community and DSWD courageously cruised through EDSA upon the
invitation of the Finnish Ambassador Raimo Anttola and his wife Madame
Piiju. Dressed casually as we are, familiar faces greeted each other;
representatives from ChildHope, Kaibigan Ermita Outreach, Lunduyan, DSWD,
DepED, CPU-Net, Web Kubo and CPTCSA. Each of us was welcomed by the
friendly ambassador to his home, shaking our manicure-free hands, for the
premiere showing of “Daughter”.
After
the successful national and European tour of the musical “Goldtooth”,
Lars Jorgensen and Monica D. Ray of Stairway Foundation completed another
brilliant project, this time, an animated advocacy video focusing on the
issue of incest. The first time I had a glimpse of the project was last
March of this year. When I say glimpse, there were just sketches. I
remember Monica reading the script for the audience composed of teachers
from different schools nationwide as Lars patiently shift each slide on
queue. That was not a long while at all for me. But on the night of
September 17, the video with the accompanying manual was in its final
form.
The
story was written by Monica D. Ray, who is “mothering” a number of street
children in Stairway’s residential center located in Puerto Galera.
Culling the lines directly from the children’s sharing, the draft was
finalized through consultations with CPTCSA and several volunteers
including the storyboard artist, Paw Ravn.
“Daughter”
is about a girl who was molested several times by her own father. Her
mother works as a domestic helper overseas and leaves her with the father.
Being the eldest, she was expected to be in charge of her other four
siblings. She tried telling about the abuse to several people including
her aunt, the parish priest and her teacher. No one paid attention. She
told her mother but the mother did not believe and castigated her. Later
she also found out that her father is also molesting her younger sister.
The final scene was the girl dialing the number of the Child Protection
Unit.
The
animation, dubbing, and scoring did justice to the script. The Philippine
Animation Studio did a fine job. Running time is less than 30 minutes.
“It
is not [the kind of cartoon film] that you would leave your children to
watch [while you do the dishes]” as Lars remarked to the audience to
open the forum. With the accompanying manual, they call it the Animation
Toolkit for the Prevention of Child Sexual Abuse. Users will be trained
how to conduct the session with the children to ensure proper handling of
any impromptu disclosure. CPTCSA was involved in writing the manual and
will be helping out disseminate the toolkit to the schools nationwide.
The
audience came up with suggestions like the use of a real male voice, using
a tune familiar to the children, and several more seemingly sound
suggestions. But I think I am most hopeful with the idea brought up by one
diplomat guest that the toolkit can be shared with other countries.
Everyone can use the same story and animation if translated into different
languages. That will be cool.
One
guest wondered why in the film, the responsibility of reporting the abuse
was left to the child. Lars responded, “That’s exactly the point.
Children approached adults who would not listen to them. This toolkit
should be able to encourage the kids to end the silence and assert their
rights.”