This study evaluated the Cracked Mirrors theater production for advocacy against child sexual abuse and exploitation. 

Through the literature review, the need for creative advocacy projects and the reasons to evaluate those projects are clearly presented. Also presented in the literature is the importance of changing the way society views and ignores the victims of sexual abuse.

The Cracked Mirrors performance incorporates rap and song into a series of four monologues to express the painful realities of child sexual abuse and exploitation. This evaluation study utilized a survey questionnaire to randomly poll 446 audience members from nine showings in 5 separate venues within Manila, Philippines. Respondents represented various ages and countries but were not asked for any personal information.